In his works, Johannes Wald reflects on fundamental, sculpture-related issues. When is a work considered to be finished or even perfect?  Can the process of being a process, the origin, be preserved in a work? Or do we only ever see the result of the process? Can a desire for grace and classical beauty still qualify credibly as a stimulus for our own actions?
He confronts the viewer again and again with gaps, placeholders or hidden sculptures and in this way relocates the consummate perfection of his artistic work to the realms of the imagination.

In his works, Johannes Wald reflects on fundamental, sculpture-related issues. When is a work considered to be finished or even perfect?  Can the process of being a process, the origin, be preserved in a work? Or do we only ever see the result of the process? Can a desire for grace and classical beauty still qualify credibly as a stimulus for our own actions?
He confronts the viewer again and again with gaps, placeholders or hidden sculptures and in this way relocates the consummate perfection of his artistic work to the realms of the imagination.