This is the first extensive survey catalogue of the work of Vancouver-based artist Ian Wallace, including extensive color reproductions, catalogue of exhibited works, a chronology, and thorough bibliographic information.
A distinguished company of European thinkers, curators and critics have been invited to consider Wallace’s art, inspirations, and influence: Vanessa Joan Müller considers the persistence of the monochrome in the artist’s oeuvre; Thomas Weski considers his engagement with the development of photo-conceptualism; Dieter Roelstraete addresses the dialectics of street and studio; and the eminent French philosopher Jacques Rancière pursues his on-going meditation on the politics of aesthetics, which has had a strong influence on Wallace’s thinking about art.

This is the first extensive survey catalogue of the work of Vancouver-based artist Ian Wallace, including extensive color reproductions, catalogue of exhibited works, a chronology, and thorough bibliographic information.
A distinguished company of European thinkers, curators and critics have been invited to consider Wallace’s art, inspirations, and influence: Vanessa Joan Müller considers the persistence of the monochrome in the artist’s oeuvre; Thomas Weski considers his engagement with the development of photo-conceptualism; Dieter Roelstraete addresses the dialectics of street and studio; and the eminent French philosopher Jacques Rancière pursues his on-going meditation on the politics of aesthetics, which has had a strong influence on Wallace’s thinking about art.