For over 25 years now, Vermeiren has taken photographs of sculptures that catch his attention. He has thus compiled works that he has come across in his travels, outings, and visits to museums. These photos are part of a much-needed reexamination of the past. He nurtures intimate relations with the history of sculpture, which he infallibly shares with enthusiasm and conviction.”Vermeiren’s works embody the memory of both Giacometti’s palace and Donatello’s dancing children, of Andre’s floor pieces as well as the endless column of Brancusi. For the sculptor’s material, says Vermeiren, is not plaster, bronze or marble, but recollection.” – Dominic van den Boogerd.

For over 25 years now, Vermeiren has taken photographs of sculptures that catch his attention. He has thus compiled works that he has come across in his travels, outings, and visits to museums. These photos are part of a much-needed reexamination of the past. He nurtures intimate relations with the history of sculpture, which he infallibly shares with enthusiasm and conviction.”Vermeiren’s works embody the memory of both Giacometti’s palace and Donatello’s dancing children, of Andre’s floor pieces as well as the endless column of Brancusi. For the sculptor’s material, says Vermeiren, is not plaster, bronze or marble, but recollection.” – Dominic van den Boogerd.