€40,00
Year: 2019
Dimensions: 27,5 x 20 cm
Pages: 133
Language: English
This publication gathers texts and images of Secrets (2016), a project by Iñaki Bonillas for Luis Barragán House, and was thought of as an intervention to the negative spaces of what used to be the home of this famous architect. In this way, the artist committed himself to work only inside those places that are not visible when the visitor goes through the rooms, chambers and corridors of the building: all that is left behind doors, inside drawers and closets. The starting point of this exercise arose from finding that, due to its distilled nature, Barragán’s architecture presents itself free from everything produced by daily life: accumulation of objects, papers, useless things-in a word, disorder. With texts by Luis Felipe Fabre, Álvaro Enrigue, Mónica de la Torre, Tom McDonough, Manuel Ciaruqui, Daniel Aguilar Ruvalcaba. Visual contribution by Olmo Cuña.
This publication gathers texts and images of Secrets (2016), a project by Iñaki Bonillas for Luis Barragán House, and was thought of as an intervention to the negative spaces of what used to be the home of this famous architect. In this way, the artist committed himself to work only inside those places that are not visible when the visitor goes through the rooms, chambers and corridors of the building: all that is left behind doors, inside drawers and closets. The starting point of this exercise arose from finding that, due to its distilled nature, Barragán’s architecture presents itself free from everything produced by daily life: accumulation of objects, papers, useless things-in a word, disorder. With texts by Luis Felipe Fabre, Álvaro Enrigue, Mónica de la Torre, Tom McDonough, Manuel Ciaruqui, Daniel Aguilar Ruvalcaba. Visual contribution by Olmo Cuña.
€40,00
Year: 2019
Dimensions: 27,5 x 20 cm
Pages: 133
Language: English
This publication gathers texts and images of Secrets (2016), a project by Iñaki Bonillas for Luis Barragán House, and was thought of as an intervention to the negative spaces of what used to be the home of this famous architect. In this way, the artist committed himself to work only inside those places that are not visible when the visitor goes through the rooms, chambers and corridors of the building: all that is left behind doors, inside drawers and closets. The starting point of this exercise arose from finding that, due to its distilled nature, Barragán’s architecture presents itself free from everything produced by daily life: accumulation of objects, papers, useless things-in a word, disorder. With texts by Luis Felipe Fabre, Álvaro Enrigue, Mónica de la Torre, Tom McDonough, Manuel Ciaruqui, Daniel Aguilar Ruvalcaba. Visual contribution by Olmo Cuña.